Giant fake rock and rusty elevator

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Takahiro Goto is a filmmaker, installation artist and set designer, he has worked as a graphic artist, runner, script reader, and production designer so far, and he’s looking forward for a chance to be a sailor, fireman, or general mechanic. He currently resides in the UK, where he attends film school. He is 22 years old, and very human. As a member of humankind, he enjoys watching films, and succumbing to bouts of wanderlust.

Of course thats not all he does. He is constantly curious about the workings of the world, in a way he should have been a scientist or detective. He is into photography, writing, and drawing. He is into inventiveness, and would love to learn how to sail.

Works:

Top 15 Favourite Films:

Woman in the Dunes (1964) by Hiroshi Teshigahara, screenplay by Kobo Abe

Akira (1988) by Katsuhiro Ootomo

Bladerunner (1982) by Ridley Scott

Dreams (1990) by Akira Kurosawa

Flashdance (1983) by Adrian Lyne

Princess Mononoke (1997) by Hayao Miyazaki

Aliens (1986) by Ridley Scott

Fear and Loathing in Las Vegas (1998) by Terry Gilliam

Alice (1988) by Jan Švankmajer

Three Colours White (1994) by Krzysztof Kieślowski

The Thing (1982) by John Carpenter, written by Bill Lancaster

Once upon a time in the West (1968) by Sergio Leone

Tuvalu (1999) by Veit Helmer

Leon (1994) by Luc Besson

Workingmans Death (2005) by Michael Glawogger

Top 15 favourite books:

Catcher in the Rye by J.D. Salinger

The Borribles Trilogy by Michael de Larrabeiti

Hardboiled Wonderland and the End of the World by Haruki Murakami

Kafka on the Shore by Haruki Murakami

The Wind up Bird Chronicles by Haruki Murakami

The Pillars of the Earth by Ken Follet

For Esme with Love and Squalor by J.D. Salinger

Lizard by Banana Yoshimoto

The Birthday of the World by Ursula K Le Guin

Otherland by Tad Williams

The Ghost in the Shell by Masumune Shirow

Salamander by Thomas Warton

American Gods by Neil Gaiman

Boy and Going Solo by Roald Dahl

Hatchet by Gary Paulsen

Favourite Artists:

He has no favourite, with exception to Mariko Mori

I am finalizing the screenplay for the film, but I haven’t shown it to anybody yet. When it comes to writing a script I reckon its better to show it to as many people as possible, they can cross reference your ideas, your grammer and whether its a good story or not.

I know this is bloody outrageous but If you don’t know what a screenplay is click here

My method is thus: I take a tape recorder and record what I hear from the movie I will make, using notes in front of me as guidance. From that I make a rather blurry and unsophisticated version of the screenplay which I put into writing later. Then I add detail.

Same again, here are the artists:

Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread